Use Darker Lines for Shadows and Intersections This technique allows you to use line art to express what your characters are wearing. For clothes with harder materials, such as leather jackets and suits, use thick brushes and draw firm lines. Use thin, light lines for soft materials like T-shirts and blouses. Keep in mind the material an article of clothing is made out of when drawing its wrinkles. Vary line thickness for clothing wrinkles depending on the material Use a thinner line for drawing the wrinkles on clothing, the inside of pupils, and nails. Thin lines for the inside of pupils and nails

This technique will allow you to give your line personality and a three-dimensional feel without using colors and shading. Use thick lines for parts that you want to show more, such as the hands in the above example image. Thick lines for outlines and the foreground If you think you’ve drawn a good draft from the start, you can also copy it and use the same method to tidy it up into your line art.Īre you using the same thickness for all the lines in your line art? You can use the eraser tool to tidy up your line after drawing the same line a few times. You don’t necessarily have to draw neat lines in a single stroke.

It’s especially effective when drawing smooth hair and body outlines.ĭon’t be afraid to make mistakes, and keep undoing your lines until you’re satisfied with them!īy drawing your strokes from joint to joint such as shoulders to elbows and elbows to wrists, you can make straight, supple line art that catches the characteristic of each body part. This is for when you want to draw long, relaxed lines. It’s Okay Not to Draw Perfect Lines at the First Try!ĭo you feel pressured to draw your lines perfectly at the first try?Įven professional illustrators sometimes redraw their lines over and over to make beautiful line art.īe ready to undo (Ctrl+z), and draw without worry Use Darker Lines for Shadows and Intersections.Use Different Thicknesses for Pen Tools.It’s Okay Not to Draw Perfect Lines at the First Try!.

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